Karl Malden died yesterday.
When I think of Malden, I don't think of his American Express commercials. I think of his movie roles.
From the Washington Post:
Karl Malden, 97, an Academy Award-winning actor who excelled in plainspoken, working-class roles and was memorable as the shy suitor in "A Streetcar Named Desire" and as a brave priest in "On the Waterfront," died July 1 at his home in Los Angeles. No cause of death was reported.
...Mr. Malden was a steelworker before winning important stage roles on Broadway. He made his greatest mark in Hollywood in the early 1950s as part of a group of New York theater stars -- headed by actor Marlon Brando and director Elia Kazan -- who were trying to bring an unpredictable, realistic style of acting to audiences.
"I hadn't met anyone that non-actorish before, non-theater-like," Kazan once said of Mr. Malden. "The minute I saw him, I knew he came from something. It turned out to be the steel mills, and it was a thing that was very important for a director, because you feel, 'Here's a person who can play difficult parts, rough parts, physical parts, who doesn't get frightened easily, who's all there when I need him.' "
Kazan said Mr. Malden was a great player to have opposite Brando because Mr. Malden could tell Brando to "go to hell" without being intimidated.
Karl Malden was in two of my all-time favorite movies, A Streetcar Named Desire and On the Waterfront.
A Streetcar Named Desire (1951)
On the Waterfront (1954)
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